Summer 2026

Contents

Also available as an audio issue and by podcast

Editorial

There Is No Bottom | Caroline Langston

Poetry

waking with nightmares | Matthew E. Henry

My friends respond to my grief in the weeks after K’s death | Jeannine Marie Pitas

Afternoon Theorem | Sean Cho A.

Deadwood & Old Cambridge Cemetery | Stephen Haven

The Human | Aaron Brown

Inexorable & There's beauty and time | Hilary Sallick

Field of Vision | Richard Chess

holy communion | En Lin Koh

My mother points this out like it's something lighthearted | Christina Ellison

The One True Miracle | Frank Paino

Owl Light | Sharlee Mullins Glenn

Shekinah | Barry Casey

incarnation at Manafon | Isabel Chenot

Fiction

Percy in Dust | Louis Bourgeois

Nonfiction

Carnac Dawn | Alison Lock

Visual Arts

Transitory Space | Leah Oates

Fountain of Light | Rajni Louise

The Weight of Small Things | Sara Black

Interview

Divining the Past: Poet Chinua Ezenwa-Ohaeto
In Conversation with Christopher Honey

Reviews

Living Out a Calling | Esther Kline
A Review of If Only We Could See by Jennifer Trafton

Seeking Reality through Sound | Graham Bier
A Review of Listening to Eternity by Aram Yardumian

Contemplative Practices

The Spiritual Practice of Birding | Ragan Sutterfield

Creating a Time Map | Aizaiah G. Yong

Cover Art: Leah Oates. Transitory Space 4008 #6B, 2026. Truro, Cape Cod, Massachusetts. Color photography shot with analog camera and 35mm film.

Vita Poetica Vita Poetica

There Is No Bottom

A Letter from Co-Editor Caroline Langston

For six years, every edition of Vita Poetica has bitten off and tasted the range of human perspective and experience, the deep terroir and diversity of truths. We’ve generally struck a tone that is both genial and hopeful. 

Not this time. 

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waking with nightmares

by Matthew E. Henry

perhaps Chesterton was right and there does come a time when the act,
the game, the art of pretending becomes tiresome. when playing cops and

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Afternoon Theorem

by Sean Cho A.

the microwave counts down but never up. this feels important. my therapist says you’re always thinking

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Deadwood

by Stephen Haven

Of course, the branch does break, and the sun,
No drunk Hungarian, stabs the rooftops,

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Old Cambridge Cemetery

by Stephen Haven

Wind-softened in bas relief, the slate bone markers
Were skeletons we traced with calloused fingers,

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The Human

by Aaron Brown

We’re good at them, in Texas, these artificial lakes—
unearthing farmland, razing pines, laying a bed of rock

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Inexorable

by Hilary Sallick

all we wanted / ALL WE WANTED
I copy these lines 
from Gary Snyder’s poem Oysters

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There's beauty and time

by Hilary Sallick

in August    the whole world
through these windows
draped by mulberry   blessed

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Field of Vision

by Richard Chess

To get here, forget the prayers you’ve learned.
Abandon the story of heaven.

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Owl Light

by Sharlee Mullins Glenn

Grandma called it owl light
that in-between time
when day leans into dark

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Shekinah

by Barry Casey


As through a window I am seeing my life
And the days and nights of it already spent.

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incarnation at Manafon

by Isabel Chenot

Dank straw. It needles
at a rusted plow –
bedded with excrement and larval beetles.

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Percy in Dust

by Louis Bourgeois

1.

There were these bones I played with alongside a barren ditch. They were armadillo bones and these bones gave me much pleasure in an abstract way that I cannot fully explain because I am incapable of saying what I mean when I want to.

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Carnac Dawn

by Alison Lock

It's early, that time before first light but after the deep dark of night. I open the door of the caravan, step out onto the grass, tuck my heels into my canvas shoes, lift my bicycle by the handlebars, and quietly wheel it away.

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Transitory Space

by Leah Oates

The Transitory Space series deals with urban and natural locations that are transforming due to the passage of time, altered natural conditions and a continual human imprint. 

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