Winter 2026

Contents

Also available as an audio issue and by podcast

Editorial

Frozen Fire | Caroline Langston

Poetry

The Centurion's Report | Richard Jackson

It Is What It Is | Dion O'Reilly

Snowfall at Aojima Shrine, New Year’s Day | Bern Mulvey

Banlieue blues | Trevor Cunnington

Little Dog | Johanna Caton, O.S.B.

In the Beginning & Study in Light | Kelly Sawin

Ricercar (rēCHərˈkär) music composition derived from the verb ricercare & Evensong | Evan Leslie

Everything in the Dream Is Me, Says Jung | Mary B. Moore

Vessel | Ali Beheler

It Happened | Temima Weissmann

Hopi Rain Dance | Daril Bentley

Epiphany XIV: Nigh | James B. Nicola

Under Van Gogh's Stars | Liza Moore

Nonfiction

As the Mind Dissolves | Chris Weigel

In Defense of Bad Meditation | K. D. Battle

Visual Arts

Never the Same Again | Jocelyn Mathewes

Al Fatiha: The Opening | Alison Kysia

Manifesting the Unseen | Ernest Williamson III

Interview

Making Sense of Things in Community: Poet Jon Bishop
In Conversation with Christopher Honey

Reviews

A kind of tribute to what we are” | Rachel Grandey
A Review of Reading Genesis by Marilynne Robinson

Relieving the burden of . . . unattainable ideals” | Elizabeth Harlan-Ferlo
A Review of Unmaking Mary by Chine McDonald

Contemplative Practices

Being Present: Finding God in Silence | Luke Wood

Lectio of Belonging: Resting in the Voice of Love | John Farrelly

Cover Art: Alison Kysia. Al Fatiha: The Opening, 2023. Ceramic. 60 L x 60 W x 5 H inches.

Vita Poetica Vita Poetica

Frozen Fire

Letter from Co-Editor Caroline Langston

We are releasing this issue of Vita Poetica, our first of 2026, at the end of a week when treacherous cold weather spread across the United States.

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The Centurion's Report

by Richard Jackson

Well, we’d been many times up by the quarry where
people claimed to see skull faces lurking in the limestone.

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It Is What It Is

by Dion O'Reilly

And I have what I have—
light-shot maple leaves,
lifted by wind, sun-bleached
tools lost where I left them,

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Banlieue blues

by Trevor Cunnington

in the outer reaches of the city
lightning torches the sky into blue
bunsen burner territory

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Little Dog

i.
When frightened at night, my little girl would stand
at my bedside. Her sharp silence woke me.

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In the Beginning

by Kelly Sawin

And why not consider the moon? That even night’s
most somber hour can’t draw its smothering cloth
over the face of light.

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Study in Light

by Kelly Sawin

And why not consider the moon? That even night’s
most somber hour can’t draw its smothering cloth
over the face of light.

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Evensong

by Evan Leslie

Hallelujah! How odd – this raucous choir
of wincing sirens stung chimes ricocheted

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Vessel

by Ali Beheler

Remember how
they overtook us, how
we’d learn one and then find it everywhere?

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It Happened

by Temima Weissmann

It is not depression, I realized,
because I can hear the buttered knife
against the toast today and
my eyes noticed the robin

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Hopi Rain Dance

by Daril Bentley

The dust-storm land is dry.
The Creator withholds
the mercies of his tears.

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Epiphany XIV: Nigh

by James B. Nicola

Almost done with this draft. The hour is nigh.
Have the latest revisions been enough
to please The Buyer of All Finished Work?

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Under Van Gogh's Stars

by Liza Moore

I sat in your room last night,
again, thinking of you,
your body,
lying on top of the water
floating to music -

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As the Mind Dissolves

by Chris Weigel

When you take care of someone with dementia, the material world can be so confusing. 

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In Defense of Bad Meditation

by K. D. Battle

First things first: forgive yourself. If you’re not quite sure what for—maybe everything? And then, when you’re ready, forgive yourself for your bad meditation practice, the days, weeks, or years it’s been since you last sat and listened to the pulse of the universe.

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Never the Same Again

by Jocelyn Mathewes

My work documents the psychology and embodied experience of the unrepeatable moment.

Never the Same Again is a series of sculptures made from broken and discarded Slinky® toys.

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Al Fatiha: The Opening

by Alison Kysia

My favorite material is clay because the Quran says we are made from it. It is a material that embodies our humanity.

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