Winter 2026
Contents
Also available as an audio issue and by podcast
Editorial
Frozen Fire | Caroline Langston
Poetry
The Centurion's Report | Richard Jackson
It Is What It Is | Dion O'Reilly
Snowfall at Aojima Shrine, New Year’s Day | Bern Mulvey
Banlieue blues | Trevor Cunnington
Little Dog | Johanna Caton, O.S.B.
In the Beginning & Study in Light | Kelly Sawin
Ricercar (rēCHərˈkär) music composition derived from the verb ricercare & Evensong | Evan Leslie
Everything in the Dream Is Me, Says Jung | Mary B. Moore
Vessel | Ali Beheler
It Happened | Temima Weissmann
Hopi Rain Dance | Daril Bentley
Epiphany XIV: Nigh | James B. Nicola
Under Van Gogh's Stars | Liza Moore
Nonfiction
As the Mind Dissolves | Chris Weigel
In Defense of Bad Meditation | K. D. Battle
Visual Arts
Never the Same Again | Jocelyn Mathewes
Al Fatiha: The Opening | Alison Kysia
Manifesting the Unseen | Ernest Williamson III
Interview
Making Sense of Things in Community: Poet Jon Bishop
In Conversation with Christopher Honey
Reviews
“A kind of tribute to what we are” | Rachel Grandey
A Review of Reading Genesis by Marilynne Robinson
“Relieving the burden of . . . unattainable ideals” | Elizabeth Harlan-Ferlo
A Review of Unmaking Mary by Chine McDonald
Contemplative Practices
Being Present: Finding God in Silence | Luke Wood
Lectio of Belonging: Resting in the Voice of Love | John Farrelly
Cover Art: Alison Kysia. Al Fatiha: The Opening, 2023. Ceramic. 60 L x 60 W x 5 H inches.
Frozen Fire
Letter from Co-Editor Caroline Langston
We are releasing this issue of Vita Poetica, our first of 2026, at the end of a week when treacherous cold weather spread across the United States.
The Centurion's Report
by Richard Jackson
Well, we’d been many times up by the quarry where
people claimed to see skull faces lurking in the limestone.
It Is What It Is
by Dion O'Reilly
And I have what I have—
light-shot maple leaves,
lifted by wind, sun-bleached
tools lost where I left them,
Snowfall at Aojima Shrine, New Year’s Day
by Bern Mulvey
Same yet infinite other
the sky becomes you,
underfoot ice, eggshell,
Banlieue blues
by Trevor Cunnington
in the outer reaches of the city
lightning torches the sky into blue
bunsen burner territory
Little Dog
i.
When frightened at night, my little girl would stand
at my bedside. Her sharp silence woke me.
In the Beginning
by Kelly Sawin
And why not consider the moon? That even night’s
most somber hour can’t draw its smothering cloth
over the face of light.
Study in Light
by Kelly Sawin
And why not consider the moon? That even night’s
most somber hour can’t draw its smothering cloth
over the face of light.
Ricercar (rēCHərˈkär) music composition derived from the verb ricercare*
by Evan Leslie
Since the 16th century, the eccentric Bolognese have spun
their church bells all the way around and up-
Everything in the Dream Is Me, Says Jung
by Mary B. Moore
The volunteer pin oak is straight
and narrow. I’m not, though
at one point, I tried.
It Happened
by Temima Weissmann
It is not depression, I realized,
because I can hear the buttered knife
against the toast today and
my eyes noticed the robin
Hopi Rain Dance
by Daril Bentley
The dust-storm land is dry.
The Creator withholds
the mercies of his tears.
Epiphany XIV: Nigh
by James B. Nicola
Almost done with this draft. The hour is nigh.
Have the latest revisions been enough
to please The Buyer of All Finished Work?
Under Van Gogh's Stars
by Liza Moore
I sat in your room last night,
again, thinking of you,
your body,
lying on top of the water
floating to music -
As the Mind Dissolves
by Chris Weigel
When you take care of someone with dementia, the material world can be so confusing.
In Defense of Bad Meditation
by K. D. Battle
First things first: forgive yourself. If you’re not quite sure what for—maybe everything? And then, when you’re ready, forgive yourself for your bad meditation practice, the days, weeks, or years it’s been since you last sat and listened to the pulse of the universe.
Never the Same Again
by Jocelyn Mathewes
My work documents the psychology and embodied experience of the unrepeatable moment.
Never the Same Again is a series of sculptures made from broken and discarded Slinky® toys.
Al Fatiha: The Opening
by Alison Kysia
My favorite material is clay because the Quran says we are made from it. It is a material that embodies our humanity.