Spring 2026

Contents

Also available as an audio issue and by podcast

Editorial

| Caroline Langston

Poetry

The Temple | Andreas Fleps

Unfaithful | Randy Koch

Hymn (3) | E. R. Skulmoski

The Spatter of Waterfalls | Joshua Coben

The Other Life | Daniel Thomas

Moving Day | Brian G. Phipps

Survivor’s guilt | Mary Lanham

Variations on Mercy | Lindsey Weishar

Can and Bottle Man | Skip Renker

Where's that boat going? & We are wearing history heavy like a raincoat | Caleb Horowitz

Gravel at Every Turn & Oceans of Salty Sky | Annette Sisson

Blind-Vein | David Anson Lee

Awkwardness | Arthur McMaster

Great and Holy Monday | Marci Rae Johnson

Nonfiction

Cinctura | Jeffrey-Michael Kane

Cloud Study | Daniel Cooperrider

Visual Arts

Thresholds | Chen Wenwei

The Needle’s Pierce | Maura H. Harrison

Poetics of the Discarded | Lori Goldberg

Interview


in Conversation with Christopher Honey

Reviews

The Still-ness of Space | Jessica Hudson
A Review of Lost Cities by Valencia Robin

Permeable Devotion | Darius Stewart
A Review of The Natural Order of Things by Donika Kelly

“There is a world just inside this one” | Robiny Jamerson
A Review of Wonderstudies by David Bailey

Contemplative Practices

My Writing Meditation | Pico Iyer

Found Poetry as Spiritual Practice | Christine Hiester

Cover Art: Lori Goldberg. Orto Series 1, 2025. Acrylic ink and fluids on watercolor paper. 18 x 24 inches.

Emma Russell Emma Russell

Unfaithful

by Randy Koch

Put down the bottle. You’ve had enough
of her and she of you. It’s not unusual,
no more so than finding a stream of ants

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Emma Russell Emma Russell

Hymn (3)

by E. R. Skulmoski

Seeker of Hearts—
The birds alerted me this morning, to not forget the carcass

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Emma Russell Emma Russell

The Other Life

by Daniel Thomas

He takes a stuttered step
to the side, like a man
who abandons the stage, strides

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Emma Russell Emma Russell

Moving Day

by Brian G. Phipps

Having left at last a final time
and driven down the gravel roadway, plumed

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Emma Russell Emma Russell

Survivor's guilt

by Mary Lanham

It takes the rabbit three days to go
from dead in the speckled shade
to a constellation of bones and sinew

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Emma Russell Emma Russell

Variations on Mercy

by Lindsey Weishar

i.

I still have the one-way ticket,
its constellation of moon-shaped punches,

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Emma Russell Emma Russell

Can and Bottle Man

by Skip Renker

Again this morning he slings
the rattling bag over his shoulder,
pauses at the water fountain,

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Emma Russell Emma Russell

Where's that boat going?

by Caleb Horowitz

Lately, I have been trying
to be better at being myself:
read poems every day, write poems every day,

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Emma Russell Emma Russell

Gravel at Every Turn

by Annette Sisson

I visit my mother’s ghost,
feel her prompting, fingertip
under my left rib—It’s time

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Emma Russell Emma Russell

Oceans of Salty Sky

by Annette Sisson

You and I parted in early light,
me still in my bathrobe piling 

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Emma Russell Emma Russell

Blind-Vein

by David Anson Lee

She pressed her fingers to my closed eyelid:
the pupil dark as a serpent’s cave,
veined with riverscars.

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Emma Russell Emma Russell

Awkwardness

by Arthur McMaster

Our mother, who may or may not
be in heaven, the last time I saw you
your eyeglasses were gone.

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Emma Russell Emma Russell

Great and Holy Monday

by Marci Rae Johnson

Jesus is almost finished
with his forty days in the desert.

He has written a poem
for each day of his exile,

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Vita Poetica Vita Poetica

Cinctura

The Cox's Orange Pippin is not a forgiving tree. It cankers. It scabs. It demands a particular quality of attention from the orchardist — not the broad, efficient attention of someone managing a crop, but the close, almost conversational attention of someone who has agreed to be responsible for a difficult and specific life.

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Vita Poetica Vita Poetica

Cloud Study

by Daniel Cooperrider

Today is Ash Wednesday, the beginning of Lent, a liturgical season that takes its name from an Old English and Germanic word for lengthen, as in the lengthening of the day’s light we notice this time of year.

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Vita Poetica Vita Poetica

Thresholds

by Chen Wenwei

Thresholds examines how meaning arises at the edge of visibility, where attention, time, and embodied presence determine what can be confirmed and articulated.

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