Spring 2026
Contents
Also available as an audio issue and by podcast
Editorial
| Caroline Langston
Poetry
The Temple | Andreas Fleps
Unfaithful | Randy Koch
Hymn (3) | E. R. Skulmoski
The Spatter of Waterfalls | Joshua Coben
The Other Life | Daniel Thomas
Moving Day | Brian G. Phipps
Survivor’s guilt | Mary Lanham
Variations on Mercy | Lindsey Weishar
Can and Bottle Man | Skip Renker
Where's that boat going? & We are wearing history heavy like a raincoat | Caleb Horowitz
Gravel at Every Turn & Oceans of Salty Sky | Annette Sisson
Blind-Vein | David Anson Lee
Awkwardness | Arthur McMaster
Great and Holy Monday | Marci Rae Johnson
Nonfiction
Cinctura | Jeffrey-Michael Kane
Cloud Study | Daniel Cooperrider
Visual Arts
Thresholds | Chen Wenwei
The Needle’s Pierce | Maura H. Harrison
Poetics of the Discarded | Lori Goldberg
Interview
in Conversation with Christopher Honey
Reviews
The Still-ness of Space | Jessica Hudson
A Review of Lost Cities by Valencia Robin
Permeable Devotion | Darius Stewart
A Review of The Natural Order of Things by Donika Kelly
“There is a world just inside this one” | Robiny Jamerson
A Review of Wonderstudies by David Bailey
Contemplative Practices
My Writing Meditation | Pico Iyer
Found Poetry as Spiritual Practice | Christine Hiester
Cover Art: Lori Goldberg. Orto Series 1, 2025. Acrylic ink and fluids on watercolor paper. 18 x 24 inches.
Unfaithful
by Randy Koch
Put down the bottle. You’ve had enough
of her and she of you. It’s not unusual,
no more so than finding a stream of ants
The Spatter of Waterfalls
by Joshua Coben
If to the mind the soul is water
murkier than engine oil,
teeming with unseen particles
The Other Life
by Daniel Thomas
He takes a stuttered step
to the side, like a man
who abandons the stage, strides
Moving Day
by Brian G. Phipps
Having left at last a final time
and driven down the gravel roadway, plumed
Survivor's guilt
by Mary Lanham
It takes the rabbit three days to go
from dead in the speckled shade
to a constellation of bones and sinew
Variations on Mercy
by Lindsey Weishar
i.
I still have the one-way ticket,
its constellation of moon-shaped punches,
Can and Bottle Man
by Skip Renker
Again this morning he slings
the rattling bag over his shoulder,
pauses at the water fountain,
Where's that boat going?
by Caleb Horowitz
Lately, I have been trying
to be better at being myself:
read poems every day, write poems every day,
We are wearing history heavy like a raincoat
by Caleb Horowitz
We are wearing history heavy like a raincoat
soaked through cold.
Gravel at Every Turn
by Annette Sisson
I visit my mother’s ghost,
feel her prompting, fingertip
under my left rib—It’s time
Oceans of Salty Sky
by Annette Sisson
You and I parted in early light,
me still in my bathrobe piling
Blind-Vein
by David Anson Lee
She pressed her fingers to my closed eyelid:
the pupil dark as a serpent’s cave,
veined with riverscars.
Awkwardness
by Arthur McMaster
Our mother, who may or may not
be in heaven, the last time I saw you
your eyeglasses were gone.
Great and Holy Monday
by Marci Rae Johnson
Jesus is almost finished
with his forty days in the desert.
He has written a poem
for each day of his exile,
Cinctura
The Cox's Orange Pippin is not a forgiving tree. It cankers. It scabs. It demands a particular quality of attention from the orchardist — not the broad, efficient attention of someone managing a crop, but the close, almost conversational attention of someone who has agreed to be responsible for a difficult and specific life.
Cloud Study
by Daniel Cooperrider
Today is Ash Wednesday, the beginning of Lent, a liturgical season that takes its name from an Old English and Germanic word for lengthen, as in the lengthening of the day’s light we notice this time of year.
Thresholds
by Chen Wenwei
Thresholds examines how meaning arises at the edge of visibility, where attention, time, and embodied presence determine what can be confirmed and articulated.