Autumn 2025

Contents

Also available as an audio issue and by podcast

Editorial

An Invitation to Brilliant Multiplicities | Caroline Langston

A Farewell to Poetry Editor Maggie Swofford

Poetry

These Can't be Real Angels | Willam Doreski

Going Somewhere | Sheri Reda

Purington Paver | Rob McClure

I Am Going Higher | Jonathan Chibuike Ukah

Emigrant | Lisa López Smith

The Seed Collectors, Sarah's Dream, & Rebirth Motif | Brittany Deininger

Amulet | Julia Lisella

St. Michael, rooster | Megan Willome

Prometheus | Lauren Suchenski

Backyard Sabbath | Rhett Watts

A Galaxy by the Pond & The Garden | Constance Clark

Awakening | Mike Wilson

Picturesque | B.A. Van Sise

The Fly-Whisk Man | Jacqueline Wallen

The Woman Who Lives Without Bread | Anne Myles

An All-American Girl — for Gwendolyn Brooks | Beth Brown Preston

Fiction

Negative Space | Steven Ovadia

Nonfiction

Seeing Small | Cheryl Sadowski

Leaving the Labyrinth | Lory Widmer Hess

Visual Arts

Red Sea Symphony | Gerburg Garmann

Echoes of Infinity | Natalya Raduenz

Pigments in Abstraction | Ellen June Wright

Multimedia

Lay Me Down Gently | Onyeka Ndukwe

Review

“Hear me, hear me, ye who are alive!”
A Review of Dedicated to the Soul: The Writings and Drawings of Emma Jung
Susan Rowland

Contemplative Practices

Strong Back, Soft Front, and Open Hands | Eric Massanari

Havening with Affirmations | Wai-Chin Matsuoka

Cover Art: Natalya Raduenz. I Am Near, 2019. From Echoes of Infinity. Graphite, acrylic on paper. 16.5 × 23.4 inches.

Vita Poetica Vita Poetica

Negative Space

by Steven Ovadia

"I have an errand for you, David," the voice said. It was in David's head. David knew it was God. Not just because of the reverb.

Read More
Vita Poetica Vita Poetica

Seeing Small

by Cheryl Sadowski

Silence bleeds into time, and I am drawn ever closer to the details of divine composition—in pods, wood, leaves, and petals.

Read More
Vita Poetica Vita Poetica

Leaving the Labyrinth

by Lory Widmer Hess

I saw a sequence of dark triangular shapes inserted between the pathway’s curves, like stepping stones in a flowing river. It wasn’t the way I’d expected to leave the labyrinth, but it would do. I’d carry my questions with me, and move on.

Read More
Ellie DuHadway Ellie DuHadway

Red Sea Symphony

by Gerburg Garmann

Red Sea Symphony is a digital reinterpretation of my acrylic painting, Daybreak, an original work defined by a dark, chiaroscuro style.

Read More
Vita Poetica Vita Poetica

Echoes of Infinity

by Natalya Raduenz

In my work, I explore the boundaries between the visible and the invisible — the realm where the divine intersects with the personal, and where infinity takes on form.

Read More
Vita Poetica Vita Poetica

Pigments in Abstraction

by Ellen June Wright

Learning to control pigments while working in abstraction is a delicate balancing process.

Read More
Vita Poetica Vita Poetica

“Hear me, hear me, ye who are alive!”

A review of Dedicated to the Soul: The Writings and Drawings of Emma Jung, edited by Ann Conrad Lammers, Thomas Fischer, and Medea Hoch, translated by Ann Conrad Lammers and Alison Kappes (Princeton University Press, 2025)

By Susan Rowland

Dedicated to the Soul, a welcome volume of mostly unpublished material, features Emma Jung’s lectures, poems, a verse play, and records of dreams, together with invaluable introductory essays and notes by Jung scholars.

Read More
Vita Poetica Vita Poetica

Havening with Affirmations

by Wai-Chin Matsuoka

I’ve been inspired by the Havening Technique and the essential human need to receive attunement and validation — the experience of being seen, heard and understood.

Read More
Vita Poetica Vita Poetica

Strong Back, Soft Front, and Open Hands

by Eric Massanari

All too often, our so-called strength comes from fear, not love; instead of having a strong back, many of us have a defended front shielding a weak spine.

Read More