
Autumn 2025
Contents
Also available as an audio issue and by podcast
Editorial
An Invitation to Brilliant Multiplicities | Caroline Langston
A Farewell to Poetry Editor Maggie Swofford
Poetry
These Can't be Real Angels | Willam Doreski
Going Somewhere | Sheri Reda
Purington Paver | Rob McClure
I Am Going Higher | Jonathan Chibuike Ukah
Emigrant | Lisa López Smith
The Seed Collectors, Sarah's Dream, & Rebirth Motif | Brittany Deininger
Amulet | Julia Lisella
St. Michael, rooster | Megan Willome
Prometheus | Lauren Suchenski
Backyard Sabbath | Rhett Watts
A Galaxy by the Pond & The Garden | Constance Clark
Awakening | Mike Wilson
Picturesque | B.A. Van Sise
The Fly-Whisk Man | Jacqueline Wallen
The Woman Who Lives Without Bread | Anne Myles
An All-American Girl — for Gwendolyn Brooks | Beth Brown Preston
Fiction
Negative Space | Steven Ovadia
Nonfiction
Seeing Small | Cheryl Sadowski
Leaving the Labyrinth | Lory Widmer Hess
Visual Arts
Red Sea Symphony | Gerburg Garmann
Echoes of Infinity | Natalya Raduenz
Pigments in Abstraction | Ellen June Wright
Multimedia
Lay Me Down Gently | Onyeka Ndukwe
Review
“Hear me, hear me, ye who are alive!”
A Review of Dedicated to the Soul: The Writings and Drawings of Emma Jung
Susan Rowland
Contemplative Practices
Strong Back, Soft Front, and Open Hands | Eric Massanari
Havening with Affirmations | Wai-Chin Matsuoka
Cover Art: Natalya Raduenz. I Am Near, 2019. From Echoes of Infinity. Graphite, acrylic on paper. 16.5 × 23.4 inches.
An All-American Girl — for Gwendolyn Brooks
By Beth Brown Preston
Topeka, Kansas, June 7th, 1917
Keziah:
Our baby girl's birth was not an easy one.
Negative Space
by Steven Ovadia
"I have an errand for you, David," the voice said. It was in David's head. David knew it was God. Not just because of the reverb.
Seeing Small
by Cheryl Sadowski
Silence bleeds into time, and I am drawn ever closer to the details of divine composition—in pods, wood, leaves, and petals.
Leaving the Labyrinth
by Lory Widmer Hess
I saw a sequence of dark triangular shapes inserted between the pathway’s curves, like stepping stones in a flowing river. It wasn’t the way I’d expected to leave the labyrinth, but it would do. I’d carry my questions with me, and move on.
Red Sea Symphony
by Gerburg Garmann
Red Sea Symphony is a digital reinterpretation of my acrylic painting, Daybreak, an original work defined by a dark, chiaroscuro style.
Echoes of Infinity
by Natalya Raduenz
In my work, I explore the boundaries between the visible and the invisible — the realm where the divine intersects with the personal, and where infinity takes on form.
Pigments in Abstraction
by Ellen June Wright
Learning to control pigments while working in abstraction is a delicate balancing process.
“Hear me, hear me, ye who are alive!”
A review of Dedicated to the Soul: The Writings and Drawings of Emma Jung, edited by Ann Conrad Lammers, Thomas Fischer, and Medea Hoch, translated by Ann Conrad Lammers and Alison Kappes (Princeton University Press, 2025)
By Susan Rowland
Dedicated to the Soul, a welcome volume of mostly unpublished material, features Emma Jung’s lectures, poems, a verse play, and records of dreams, together with invaluable introductory essays and notes by Jung scholars.
Havening with Affirmations
by Wai-Chin Matsuoka
I’ve been inspired by the Havening Technique and the essential human need to receive attunement and validation — the experience of being seen, heard and understood.
Strong Back, Soft Front, and Open Hands
by Eric Massanari
All too often, our so-called strength comes from fear, not love; instead of having a strong back, many of us have a defended front shielding a weak spine.